Product Description
Band Music for Evangelism
Edited by Dr. Dorothy Gates
PrefaceWe welcome the contributions of David Edmonds, Joel Collier, and Robert Getz to this issue of the American Band Journal. New voices have always been the life blood of Salvation Army published music. Joining the new voices are veterans Bill Gordon, whose Glory, Hallelujah will finds its way onto many concert programs and Dorothy Gates, whose Whatever It May Cost, is a powerful contemplation of John Larsson's music, and gives good reason to search for meaning in the words, "If crosses come....I'll not turn back," by the late General John Gowans. This eclectic mix will give ample opportunity for both introspection and praise. Be blessed!
Ronald Waiksnoris
Territorial Music Secretary
# | Genre | Title | Composer/arranger | Preview |
---|---|---|---|---|
317 | March | Glory, Hallelujah | William Gordon | Score |
318 | Chorus Setting | I Bow Adoring | L.J. Rowlands, arr. Joel Collier | Score |
319 | Hymn Setting | Christ is All | William A. Williams, arr. Robert Getz | Score |
320 | Whatever it May Cost... | John Larsson, arr. Dorothy Gates | Score | |
321 | Rejoice! | George Frederic Handel, arr. David Edmonds | Score |
Instrumentation
Each package contains the following:
* indicates part is optionalTransposed parts in F and C (treble clef and bassclef) are available at no cost from the publisher forABJ 36 on.
Adapting the American Band Journal for Concert Band or Orchestra
The following instrument/part correlation chart will be a helpfulguide to those directors who are using the American Band Journalwith concert band or orchestra:
Full Score | 1 |
Soloist's Part | 1 |
E? Soprano Cornet * | 1 |
B? Cornet 1 | 6 |
B? Cornet 2 | 3 |
B? Flugel Horn * | 1 |
E? Horn 1 | 2 |
E? Horn 2 | 2 |
B? Baritone * | 2 |
B? Trombone 1 | 2 |
B? Trombone 2 | 2 |
Bass Trombone * | 1 |
B? Euphonium | 2 |
E? Bass | 2 |
B? Bass | 2 |
Percussion 1* | 2 |
Percussion 2* | 1 |
Adapting the American Band Journal for Concert Band or Orchestra
The following instrument/part correlation chart will be a helpfulguide to those directors who are using the American Band Journalwith concert band or orchestra:
Flute | play C Instrument 1 upper octave |
Oboe | play C Instrument 1 lower octave |
English Horn | play F Horn 1 or 2 |
Bassoon | play Baritone B.C., Euphonium B.C. or Tuba B.C. |
E? Soprano Clarinet | play E? Soprano Cornet |
1st B? Clarinet | play B? Cornet 1 |
2nd & 3rd Clarinet | play B? Cornet 2 |
E? Alto Clarinet | play E? Horn 2 |
B? Bass Clarinet | play B? Tuba T.C. |
E? Contra Alto Clarinet | play E? Tuba |
B? Contra Bass Clarinet | B? Tuba |
1st E? Alto Saxophone | play E? Horn 1 |
2nd E? Alto Saxophone | play E? Horn 2 |
B? Tenor Saxophone | play B? Baritone T.C. |
E? Baritone Saxophone | play E? Tuba |
Violin | play C Instrument 1, divisi |
Viola | no part provided |
Cello | play Baritone B.C. or Euphonium B.C. |
String Bass | play Tuba B.C. |
Piano | no part provided |
Organ | no part provided |
Keyboard Synthesizer | play C Instrument 1 part in octaves |